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  1. Press release: Ricoh Announces HD PENTAX-D FA MACRO 100mm F2.8ED AW Lens Macro lens for use with PENTAX digital SLR cameras features new optical design for greatly improved imaging power; Special-edition silver model to be available in a limited quantity of 300 units worldwide PARSIPPANY, NJ, October 19, 2022 -Ricoh Imaging Americas Corporation today announced the HD PENTAX-D FA MACRO 100mm F2.8ED AW lens—the first PENTAX macro lens to feature All Weather (AW) dustproof, weather-resistant construction. Incorporating a new optical design developed using the latest optical design technologies, the lens optimizes image resolution and contrast, even at open aperture, and delivers clear, high-quality images. When mounted on a dustproof, weather-resistant PENTAX digital SLR camera body, the new HD PENTAX-D FA MACRO 100mm F2.8ED AW lens creates a highly dependable, durable imaging system that performs superbly in demanding shooting conditions — such as snow, mist, rain, or in locations prone to splashing or spraying water. Despite the new optical design and AW construction, the new lens is nearly as compact as its predecessor (the smc PENTAX-D FA MACRO 100mm F2.8 WR). It features a new exterior design and incorporates the PENTAX-original Quick-Shift Focus System, enabling the photographer to instantly shift the focus mode from auto to manual after the subject has been captured in focus by the camera’s autofocus system. Pricing and Availability The HD PENTAX-D FA MACRO 100mm F2.8ED AW black lens will be available in late November 2022 at www.us.ricoh-imaging.com as well as at Ricoh Imaging-authorized retail outlets for the manufacturer’s suggested retail price of $549.95. In addition to the standard black model, the HD PENTAX-D FA MACRO 100mm F2.8ED AW lens will also be available in a special-edition silver model — limited to just 300 units worldwide. The special-edition silver model will be available in early November 2022 at www.us.ricoh-imaging.com for the manufacturer’s suggested retail price of $549.95. Main features of the HD PENTAX-D FA MACRO 100mmF2.8ED AW 1. Exceptional imaging performance made possible by the latest optical design technologies The lens incorporates one ED (Extra-low Dispersion) glass optical element and two Anomalous Dispersion glass optical elements to compensate for various aberrations and minimize the generation of the unwanted purple fringe effect. This is coupled with the high-grade, multi-layer HD (High Definition) Coating, which significantly reduces average reflectance in the visible ray spectrum to less than 50% compared to conventional models, and the innovative FREE (Fixed Rear Element Extension) focusing system. All together, these technologies effectively reduce the generation of flare and ghost images over the entire focus range — from minimum focusing distance to infinity — and deliver clear, high-quality images. The lens also provides life-size magnification in close-range shooting to capture dramatic, fine-detailed close-up images. 2. Dustproof, weather-resistant AW construction for exceptional outdoor shooting reliability Ready for adverse weather conditions, the lens features dustproof, weather-resistant AW (All Weather) construction for the first time in a PENTAX macro lens. This dependable construction prevents the intrusion of dust and moisture into the lens body, using six sealing parts to optimize airtight performance. When mounted on a dustproof, weather-resistant PENTAX digital SLR camera body, it creates a highly dependable, durable imaging system that performs superbly in demanding shooting conditions — such as snow, mist, rain, or in locations prone to splashing or spraying water. 3. Exclusive exterior design and outstanding operability The lens has an attractive, stylish appearance, with metallic exterior parts meticulously machined from high-grade aluminum. Its focus ring features the PENTAX-original Quick-Shift Focus System, which allows the photographer to instantly shift the focus mode from auto to manual after the subject has been captured in focus by the camera’s autofocus system. This single- action operation assures a smooth, comfortable focus-mode switching maneuver during manual- focus shooting for dramatically improved operability. 4. Compact, lightweight design for superb maneuverability Despite the improved imaging power made possible by the new optical design and outstanding AW construction, the lens is nearly as compact and lightweight as the smc PENTAX-D FA MACRO 100mm F2.8 WR (launched in December 2009), with outstanding weight distribution, ergonomics and maneuverability. 5. Other features A working distance of 5.1 inches (13 centimeters), at life-size magnification, to facilitate the shooting of typically uncooperative subjects, such as insects Individual serial number assigned to each lens: black model starts at 0000001, the silver model starts at 1000001 Circular diaphragm to produce a natural, beautiful bokeh (defocus) effect from open aperture to F5.6, while minimizing the streaking effect of point light sources SP (Super Protect)Coating applied to the front optical element to keep the front surface free of dust or stains
  2. Press release: Cooke Optics launches S8/i FF spherical lenses for full frame production New lens series is a state-of-the-art statement for the future Leicester, UK – 16th March 2022 – Cooke Optics has announced the launch of the S8/i Full Frame (FF) series of seven lenses for full frame production with an all-spherical design and T1.4 throughout, these currently include 25mm, 32mm, 40mm, 50mm, 75mm, 100mm, and 135mm focal lengths. A further nine lenses will join the range from late 2022. The S8/i are a cutting edge, state-of-the-art high-speed full frame lenses motivated by feedback from cinematographers wanting to create more realistic and film-like images with spherical lenses for digital motion capture. An evolution of the Cooke Look®, S8/i produces breathtakingly beautiful images with an almost organic feel and a clean bokeh. To achieve this, Cooke has focussed on optimising the contrast performance for the S8/i. Good resolution is, of course, vital with a modern lens. Crucially, human perception of resolution is tied to contrast, so an observer will perceive a sharp image due to the synergy and balance of both. Creating film-like images and the Cooke Look®, requires the optimisation of contrast. Cooke’s design team - and Academy Award® winning designer Iain Neill, Chief Optics Advisor at Cooke - undertook a huge study to ensure S8/i’s contrast performance is maximised to suit the actual resolution of digital cameras (today and indeed for many years into the future). Under the body, S8/i is an all-spherical design which produces a near telecentric output of the light rays which is efficient for sensors. It is characterised by smooth, spherical bokeh and minimal colour fringing, enabling cinematographers to create sensitive and emotional images with a high degree of dimensionality. FasterWith a maximum aperture of T1.4 across the focal range, the new S8/i FF lenses are amongst the very fastest produced lenses for larger than full frame capture. They also offer greater control over depth of field and flare characteristics, whilst still providing excellent low light performance without graining.LighterCompact and light, agile and easy to use, the new S8/i FF lenses have been created for a wide variety of situations and today’s compact cameras. Being lighter, however, has not compromised strength, durability, or their exceptional image quality.SmarterDesigned from the ground up to incorporate Cooke’s very latest intelligent /i technology, the new S8/i FF lenses include: • /i data focus and iris position• /i motion inertial data• /i maps factory calibrated shading and distortion dataTim Pugh, CEO, Cooke Optics, said, “We are very proud to reveal the new S8/i FF series, built as always with cinematographers in mind. The lenses have been designed and produced in a smart way using an all-spherical design which provides an organic, filmic aesthetic to accompany the latest digital film cameras.” The S8/i FF series is now available to order in the following focal lengths: 25mm, 32mm, 40mm, 50mm, 75mm, 100mm, and 135mm.Selected focal lengths will be available to view at BSC Expo in London in March and NAB in Las Vegas and Micro Salon AFC in Paris in April. Features in production or recently shot with Cooke lenses include: The Water Man, We Are Lady Parts, Mayday, Birds of Paradise, The Sixth Reel, No Loss//No Gain, The Marksman, Fugitive Dreams, Supernova, I Still Breathe, Legacy of Lies, I Know This Much is True, Pinocchio, Onward, Toy Story 4, Birds of Prey: and the Fantabulous Emancipation of Harley Quinn, Motherless Brooklyn, Sweetheart, Vice, Bohemian Rhapsody, A Star Is Born, Venom, Call Me By Your Name, Motherless Brooklyn, Stan and Ollie, Darkest Hour, Mark Felt: The Man Who Brought Down the White House. Television shows in production or recently shot with Cooke lenses include: King of Boys: The Return of the King, Star Trek: Discovery, Power Book III: Raising Kanan, Kevin Can F**K Himself, Meet Your Master, Below Zero, Fate: The Winx Saga, Behind Her Eyes, Barb and Star go to Vista Del Mar, A Suitable Boy, The Mess You Leave Behind, Flight Attendant, The Chosen, The Great, HALIFAX: Retribution, The Luminaries, Lost in Space, Star Girl, Dead to Me, Save Me Too, Insecure, Dark Crystal, Star Trek: Picard, Peaky Blinders, Osmosis, Top Boy, David Makes Man, Catch-22, The Perfection, Ozark, Gentleman Jack, Free Rein, Skam France, Doctor Who, Fleabag, Kevin (Probably) Save the World, The Crossing, The Crown, Westworld, Poldark, Game of Thrones, Midsomer Murders, Orange is the New Black and Fargo.
  3. Press release: NIKKOR Z LINE EXPANDS WITH TWO NEW S-LINE TELEPHOTO ZOOMS - THE NIKKOR Z 100-400mm f/4.5-5.6 VR S AND NIKKOR Z 24-120mm f/4 S Nikon Also Announces New Streamlined Mount Adapter FTZ II MELVILLE, NY (October 28, 2021) – Today, Nikon announced new NIKKOR Z zoom lenses that let creators get closer to the action and fill the frame with astounding clarity. The NIKKOR Z 100-400mm f/4.5-5.6 VR S and the NIKKOR Z 24-120mm f/4 S are Nikon’s latest S-line lenses, giving discerning photographers premium optics and ultimate versatility. Additionally, the new Mount Adapter FTZ II is a streamlined solution to seamlessly adapt F-mount lenses with the integrated vertical grip on the new Nikon Z 9. “Our core focus will always be optical excellence, and our customers rave about the unrivaled sharpness, color and clarity from the rapidly expanding line of NIKKOR Z lenses,” said Jay Vannatter, Executive Vice President, Nikon Inc. “These latest telephoto zoom lenses give extended reach to all kinds of creators whether on vacation or on assignment, and each deliver on the promise of superior image quality and benefit from the technological advantages of the Nikon Z mount.” NIKKOR Z 100-400mm f/4.5-5.6 VR S - The First NIKKOR Z Super Telephoto The new NIKKOR Z 100-400mm f/4.5-5.6 VR S is a premium, S-line telephoto zoom lens with an extremely long 100-400mm range for Z mount mirrorless camera users, including the all-new Z 9. Well suited for sports, wildlife and those in the field, the lens features a great combination of focal range and wide aperture for professional photographers, advanced enthusiasts and photo hobbyists who want to dynamically capture distant subjects. This S-line lens is designed to the strictest standards, offering excellent sharpness and clarity with minimum aberration and color fringing even at the maximum aperture, throughout the entire zoom range. This lens is the lightest in its class, weighing only 1355g1, making it easy to use handheld. It’s superbly balanced, purposely built with a small 80-degree rotation angle and new “Inner Balance Technology”2, which minimizes the weight shift caused by zooming. Content creators will appreciate the minimal focus breathing, while the 5.5 stop optical VR3 will help to provide smooth video and sharp stills. Primary features of the NIKKOR Z 100-400mm f/4.5-5.6 VR S The first super-telephoto zoom lens in the NIKKOR Z lineup that covers a focal length range from 100 to 400mm. Multi-focusing system that utilizes two STMs (stepping motors), enabling fast, precise and quiet AF operation for both stills and videos. Employs an optical vibration reduction function with an effect equivalent to a shutter speed 5.5 stops faster, which is the highest among NIKKOR Z lenses. While lateral chromatic aberration is optically corrected, axial chromatic aberration is also significantly reduced via the adoption of Super ED glass and ED glass elements, providing clear images across the entire frame from maximum aperture. Nikon’s original Nano Crystal Coat and ARNEO Coat are both adopted to effectively reduce ghost and flare effects even in backlit situations. With the attachment of teleconverters, the focal length can be extended to 560mm and 800mm4 while maintaining high resolution. Features the highest maximum reproduction ratio of 38x (at the maximum telephoto position) in its class1 that lets users shoot flowers and insects in large size, with a minimum focusing distance of 0.75M (2.46 inches) to allow users to get closer to their subjects. The shortest3 rotation angle of 80 degrees in its class for the zoom ring enables users to rotate the zoom ring from the wide-angle position to the telephoto position in just one motion, without adjusting lens holding. The click-less control ring realizes smooth operation and reduced operational sound during video recording. Features a design with consideration for video recording, including effectively reduced shifting of a focus position when zooming in or out and the angle of view when adjusting focus. Superior dust- and drip-resistant capability4, high reliability that comes from both robustness and weather resistance, and excellent anti-fouling performance via the employment of fluorine coat. NIKKOR Z 24-120mm f/4 S - Ready to Impress The NIKKOR Z 24-120mm f/4 S gives users an extremely useful 24-120mm range focal length and S-line optical quality. This 5x zoom lens is ideal for landscapes, events, weddings and portraits as well as for video and content creators. With a constant f/4 aperture, the lens attains beautiful rendering with large bokeh, especially in the telephoto range. The 24-120mm f/4 is the lightest lens in its class5, weighing only 630g, and combines portability and versatility to make it a great travel companion. Primary features of the NIKKOR Z 24-120mm f/4 S An optimal lens for stills and videos that covers up to telephoto 120mm focal length while attaining high optical performance throughout the entire zoom range. High maximum reproduction ratio of 39x at the maximum telephoto position and a short minimum focus distance of 0.35m (at the max wide-angle), letting users get close and shoot small subjects in large size. Multi-focusing system that utilizes two STM (stepping motors), enabling fast, precise and quiet AF operation for both stills and videos. Effective compensation for chromatic aberration with the employment of three ED glass, one aspherical ED glass, and three aspherical lens elements in the optical system. Nikon’s original Nano Crystal Coat and ARNEO Coat are both adopted to effectively reduce ghost and flare effects even in backlit situations. The click-less control ring realizes smooth operation and reduced operational sound during video recording. Features a design with consideration for video recording, including effectively reduced focus shift. Designed with superior dust- and drip-resistant capability6, and achieves excellent anti-fouling performance with the employment of fluorine coating. Mount Adapter FTZ II The Nikon Mount Adapter FTZ II further improves the usability of the existing Mount Adapter FTZ by featuring a streamlined design with minimal projections, making it easier to use with the vertical grip of the Z 9. Removing the tripod socket and reducing the size makes for comfortable shooting in any direction, and enhances compatibility with a wider variety of tripod plates. Similar to its predecessor, the Mount Adapter FTZ II seamlessly adapts F-Mount lenses to the larger Z-Mount, retaining the image quality, autofocus performance7, weather sealing and comfortable handling of approximately 360 NIKKOR F lenses from AI type onwards. Pricing and Availability The new NIKKOR Z 24-120mm f/4 S will have a suggested retail price (SRP) of $1099.95*, the NIKKOR Z 100-400mm f/4.5-5.6 VR S will have an SRP of $2699.95* and the Mount Adapter FTZ II will be available for an SRP of $249.95*. All of these products will be available within this year. For more information about the latest Nikon products, including new NIKKOR Z lenses and the entire Nikon Z series camera lineup, please visit nikonusa.com. Among 100-400 mm zoom lenses with a maximum aperture of f/4.5-5.6 for full-frame (Nikon FX-format) digital cameras with interchangeable lenses available as of October 28, 2021. Statement based on Nikon research. A mechanism that reduces the shifting of the center of gravity as much as possible with lens groups moving in opposite directions for balance. As the front lens group moves forward, when zooming from the wide-angle to the telephoto position, part of the rear lens group moves backward. Based on CIPA Standard. This value is achieved when attached to a camera with full-frame (Nikon FX-format) sensor, with the camera’s VR function set to “NORMAL”, and when zoom is set to the maximum telephoto position. Focal length becomes 560 mm with NIKKOR Z teleconverter TC-1.4×, 800 mm with NIKKOR Z teleconverter TC-2.0×. Among interchangeable zoom lenses for mirrorless digital cameras with interchangeable lenses equipped with a 35mm film size image sensor, with a focal-length range from 24 mm at the wide-angle end to 105-120 mm at the telephoto end, and a maximum aperture of f/4 or less, available as of October 28, 2021. Statement based on Nikon research. Perfect dustproof and waterproof performance is not guaranteed under all conditions. Full AF/AE supported when using FX or DX AF-S Type G/D/E, AF-P type G/E, AF-I type D and AF-S / AF-I Teleconverters. *SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
  4. CANON COMPLETES ANOTHER CHAPTER IN THE RF LENS STORY – INTRODUCES TWO NEW BUDGET-FRIENDLY LENSES FOR EOS R FULL-FRAME MIRRORLESS USERS MELVILLE, N.Y., September 14, 2021 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the RF16mm F2.8 STM and RF100–400mm F5.6–8 IS USM lenses. Both lenses invite current EOS R series users and those who are considering a move to Canon’s prominent mirrorless system, such as the EOS R or EOS RP, to expand their content creation abilities with the visual drama of an ultra-wide-angle lens and true telephoto-only zoom lens. As the “lens first” EOS R series continues to expand, these latest lenses open the door to a wide-range of imaging creators, encouraging them to test the powers and possibilities of their art. Ultra-Wide Perspectives Whether you are excited to start exploring the creative world of ultra wide-angle photography or someone who is looking to add another lens to expand your imaging offerings, the Canon RF16mm F2.8 STM is compact, lightweight and affordable. Long gone are the days of optical corrections or sharpness challenges – the new ultra-wide, 16mm RF lens, for full-frame cameras, comes with a fast and bright f/2.8 maximum lens aperture, as well as smooth and brisk AF (autofocus). This lens is a strong addition to the landscape, architecture or travel photographer — but it also provides the vlogging creator and the EOS Webcam Utility software user the power to integrate environments into their imagery, with its super-wide coverage. Additional features of Canon’s new ultra wide-angle prime lens with 16mm focal length F2.8 include: STM Motor for smooth focusing when recording video Compact size and light weight — similar to RF50mm F1.8 STM Minimum focus distance of 5.11” Maximum magnification of 0.26x 43mm filter thread Truly Telephoto Possibilities The Canon RF100–400mm F5.6–8 IS USM provides users with a versatile and popular zoom range that brings subjects closer with ease. It’s an affordable and easily hand-holdable entry into the world of super-telephoto, full-frame photography and video. Offering superb performance and sharpness, the 100–400mm focal length provides a versatile range for all types of telephoto opportunities — be it portraits and documenting events, to sports, birding and wildlife. And, for the first time in a non-L-series lens, the RF100–400mm will accept optional Canon RF 1.4x and 2x tele extenders, offering even more telephoto potential in a lightweight package. Yes, the Canon RF100–400mm is an excellent gateway into the world of wildlife, nature, and sports photography. However, this lens and its super-telephoto abilities can also be leveraged for the video content creator or vlogger when compiling b-roll type footage or for subjects who are at a distance. Additional features of the Canon RF100-400mm include: High image quality — similar to the well-regarded EF 70-300mm f/4-5.6 IS II USM 100-400mm telephoto zoom range Accepts optional Canon RF 1.4x and 2x extenders 6 – F8 variable maximum aperture Easy hand-held operation — lighter than EF70-300 IS II lens Up to 5.5-Stops i optical IS and 6-stops ii correction with coordinated IS Nano USM for high-speed and smooth AF Smooth and nearly silent AF during video recording Superb close-focusing — at 400mm, excellent 0.41x magnification 9-blade aperture, for smooth backgrounds/foregrounds 67mm filter thread Pricing and Availability The Canon RF16mm F2.8 STM and RF100–400mm F5.6–8 IS USM are scheduled to be available in October 2021 for an estimated retail price of $299.00 and $649.00, respectively*. For additional information, please visit usa.canon.com Canon RF 100-400mm F5.6-8 IS USM Specs Principal specifications Lens type - Zoom lens Max Format size - 35mm FF Focal length - 100–400 mm Image stabilization - Yes CIPA Image stabilization rating - 5.5 stop(s) Lens mount - Canon RF Aperture Maximum aperture - F5.6–8 Minimum aperture - F32–45 Aperture ring - No Number of diaphragm blades - 9 Optics Elements - 12 Groups - 9 Special elements / coatings - 1 UD + 1 aspherical element, Super Spectra Coating Focus Minimum focus - 0.88 m (34.65″) Maximum magnification - 0.41× Autofocus - Yes Motor type - Nano ultrasonic Full time manual - Yes Distance scale - No DoF scale - No Focus distance limiter - No Physical Weight - 635 g (1.40 lb) Diameter - 165 mm (6.5″) Length - 80 mm (3.15″) Sealing - No Colour - Black Zoom method - Rotary (extending) Power zoom - No Filter thread - 67 mm Hood supplied - Yes Canon RF 16mm F2.8 STM Specs Principal specifications Lens type - Prime lens Max Format size - 35mm FF Focal length - 16 mm Image stabilization - No Lens mount - Canon RF Aperture Maximum aperture - F2.8 Minimum aperture - F22 Aperture ring - No Number of diaphragm blades - 7 Optics Elements - 9 Groups - 7 Special elements / coatings - 1 aspherical element, Super Spectra Coating Focus Minimum focus - 0.13 m (5.12″) Maximum magnification - 0.26× Autofocus - Yes Motor type - Stepper motor Full time manual - No Focus method - Internal Distance scale - No DoF scale - No Focus distance limiter - No Physical Weight - 165 g (0.36 lb) Diameter - 40 mm (1.57″) Length - 69 mm (2.72″) Sealing - No Colour - Black Filter thread - 43 mm Hood supplied - No Hood product code - EW-65C
  5. Press release: The Canon RF100mm F2.8 L Macro IS USM lens is not only Canon’s first RF lens designed specifically for macro photography, but also the world’s first[1] medium telephoto macro lens with a maximum magnification of 1.4x. The new lens, designed for both advanced photo enthusiasts and professionals, takes macro photography expression to the next level with the introduction of a spherical aberration (SA) control ring. The SA control ring allows users to change the character and appearance of the bokeh and obtain a softer focus effect with a simple turning of the ring to the desired result. Additional features of the Canon RF100mm F2.8L Macro IS USM include: Optical Image Stabilizer with up to five stops of Shake Correction[2]. When combined with a camera featuring In-Body Image Stabilizer, up to eight stops of shake correction[3] is possible with coordinated operation of Optical and In-Body Image Stabilizer. Hybrid IS helps to compensate for angular and shift camera shake during macro shooting. High-speed, smooth and quiet auto focus with dual nano USM. Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO. Rugged Canon L-series dust and water-resistant design. The Canon RF100mm F2.8 L Macro IS USM, Canon RF400mm F2.8 L IS USM and Canon RF600mm F4L IS USM are scheduled to be available in July 2021 for an estimated retail price of $1,399.00, $11,999.00 and $12,999.00, respectively*. For more information, please visit usa.canon.com. * Specifications and availability are subject to change without notice. [1] As an autofocus interchangeable lens for full-frame mirrorless cameras. Canon survey as of April 14, 2021. [2] Based on CIPA (Camera & Imaging Products Association) standards. Testing performed using the EOS R camera. [3] Based on CIPA (Camera & Imaging Products Association) standards. Testing performed using the EOS R5 camera. Canon RF 100mm F2.8L Macro IS USM specifications Principal specifications Lens typePrime lens Max Format size - 35mm FF Focal length - 100 mm Image stabilization - Yes CIPA Image stabilization rating - 5 stop(s) Lens mount - Canon RF Aperture Maximum aperture - F2.8 Minimum aperture - F32 Aperture ring - No Number of diaphragm blades - 9 Optics Elements - 17 Groups - 13 Special elements / coatings - Super Spectra Coating Focus Minimum focus - 0.26 m (10.24″) Maximum magnification - 1.4× Autofocus - Yes Motor type - Nano ultrasonic Full time manual - Yes Focus method - Internal Distance scale - No DoF scale - No Focus distance limiter - Yes Physical Weight - 730 g (1.61 lb) Diameter - 82 mm (3.23″) Length - 148 mm (5.83″) Materials - Magnesium alloy Sealing - Yes Colour - Black Filter thread - 67 mm Hood supplied - Yes
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