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Sony ZV-E1


Martin Vronsky
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Press release:

Sony Electronics Announces the ZV-E1, a New Full-Frame, Interchangeable Lens Camera for Video Creators
A Compact Lightweight Body Designed to Give Creators the Ultimate Video and Content Creation Tool

SAN DIEGO, CA - March 29, 2023 – Sony Electronics announced today the new ZV-E1, an interchangeable lens camera with a high performance 35mm full-frame image sensor for the ultimate video creation experience. Newly positioned in Sony’s ZV vlog camera line-up, the ZV-E1 boasts a 12MP full-frame image sensor, Sony’s latest BIONZ XR image processing engine, a dedicated AI (artificial intelligence) processing unit, compatibility with over 70 Sony E-mounti lenses, and other advanced technologies for capturing cinematic imagery with rich colors, low noise and high precision. The world’s most compact, lightweight full frame interchangeable lens cameraii, the ZV-E1 offers outstanding mobility, with refined operation to give video creators maximum creative freedom and versatility.

“The ZV-E1 has been designed to deliver a premium content creation tool for video creators who want to elevate their content,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are constantly listening to feedback from our customers, pushing to innovate to meet their demands. We have taken all the information into mind with our development of this new camera – with more sophisticated video features, a streamlined user experience and an extremely compact design, the ZV-E1 offers a whole new way for today’s creators to create top level video content.”

Expressive Imagery That Emphasizes the Subject

The ZV-E1 is a dedicated content creation camera that features a 35mm full-frame back-illuminated CMOS Exmor R™ sensor, with approximately 12.1 effective megapixels, delivering high sensitivity, low noise and gorgeous bokeh.

With up to eight timesiiimore processing power than previous Sony processors, the new BIONZ XR™ image processing engine markedly boosts high-sensitivity performance, gradation rendering, color reproduction, low-noise performance, and more. The high volume of data generated by the image sensor can be processed in real time, even when shooting 4K (QFHD: 3840 x 2160) footage at 120piv. The BIONZ XR processor also contributes significantly to improved AF speed and precision.

High-quality 4K (QFHD) video can be recorded with full pixel readout at 10-bit 4:2:2, without the need for pixel binning and with very high speed to minimize rolling shutter. This makes the expressive advantages of the full-frame format available for video recording while delivering high-resolution 4K footage. Users can upgrade from 4K 60p to 4K 120pv through the Creators’ Cloud for extraordinarily smooth 5x (max.) slow-motion imageryvi. Direct playback for video in slow or quick motion in the S&Q modevii boasts outstanding image quality.

With 15+ stop latitudeviii, it’s possible to capture natural looking images in a wide variety of lighting to capture natural looking images even in extraordinarily low light situations without losing highlight or shadow detail. The standard ISO range extends from 80 to 102400 for both stills and movies. The expanded range for stills is 40 to 409600, and the expanded range for movies is 80 to 409600.

Turn Cinematic Dreams Into Reality

The ZV-E1 can create standout content with Cinematic Vlog Settingsix, an intuitive way to capture scenes with the cinematic look of feature movies. By choosing an appropriate Look, Moodx and AF transition speed, anyone can create cinematic footage that ideally matches the scene and creative intent. The overall cinematic feel is further enhanced by a 24 fpsxiv frame rate and the widescreen Cinemascope aspect ratio (2.35:1)xv.

For a truly cinematic look, the ZV-E1 features S-Cinetone, a unique Sony feature which can create a cinematic look straight out of the camera without post-processing. Based on Sony’s Cinema Line technology, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color to deliver cinematic quality.

A selection of new Creative Looks makes it easy to create interesting appearances for stills and video right in the camera. Ten Creative Looks are provided as presets that can be used as they are or customized with the touch of a button. Newly added My Image Style xvi makes it possible to shoot in the Intelligent Auto or Scene Selection mode; icons on the touch-sensitive monitor make it easy to directly adjust background bokeh, brightness, and color tone, as well as select a Creative Look.

AI Plus Leading Technology Delivers Consistently Stunning Imagery

The ZV-E1 features a dedicated, powerful AI (artificial intelligence) processing unit that leverages Sony’s technologies to uniquely overcome the challenges of self-taken footage faced by “crew of one” creators. By using AI human recognition, newly developed features of Multiple Face Recognition, Auto Framing, Framing Stabilizer and even Auto Microphone directivity have now become possible. For the first time, the ZV-E1 allows for true self-taken footage and even minimizes or eliminates the need for a second shooter.

Real-time Recognition AF incorporates an innovative AI processing unit that uses subject form data to accurately recognize movement - human pose estimation technology uses learned human forms and postures to recognize not just eyes, but body and head position with high precision, making it possible to lock onto and track a subject facing away from the camera. The AI processing unit can even differentiate between multiple subjects having different postures and recognition of individual faces so that tracking reliability is achieved in challenging situations such as when a subject’s face is tilted, in shadow, or backlit. In addition to Human and Animalxvii, the AI processing unit now makes it possible to recognize Birdxviii, Insect, Car/Train and Airplanexviv subjects, providing even greater flexibility and reliability when shooting both stills and video.

The camera features Multiple Face Recognitionxx which automatically adjusts bokeh and focus on multiple recognized faces when shooting group selfies or group portraits - preventing problems like only the faces in the front being in focus while others further back are out of focus. Breathing Compensationxxi suppresses image shifts when focusing to maintain a consistent angle of view and achieve smooth focusing effects.

The ZV-E1 features AI-based Real-time Trackingxxii that can be activated by specifying the subject and half-pressing the shutter button. The camera will then automatically track the subject, leaving the user free to concentrate on framing and composition. The new camera has a fast Hybrid AF for fast acquisition and tenacious tracking as well detailed AF settings for ultimate precision and control.

Another new feature of the ZV-E1 is the AI-based Auto Framing for videoxxiii which is ideal for recording interviews, music performances, cooking, and much more. Using AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to the users desired level, keeping the subject in a prominent position when shooting video. Even when the camera is mounted on a tripod, for example, the framing is continually adjusted so that the recorded footage looks like the subject is being followed by an experienced camera operator, ideal for a single person shooting scenario.

A compact, 5-axis xxiv stabilization unit and gyro sensors with optimized algorithms achieve up to 5.0-stepxxv stabilization. The in-body image stabilization of the camera provides effective stabilization with a wide range of lenses, including E-mount lenses that do not include their own stabilization. Dynamic active Mode stabilization xxvi is approximately 30% more effective than what Active Modexxvii provides. This makes it easier than ever to shoot smooth, stable footage while moving around for bold, dynamic expression. The ZV-E1 also boasts a Framing Stabilizerxxviii that uses advanced AI-based subject recognition in conjunction with the camera’s Dynamic active mode image stabilization to automatically keep the subject’s position in the frame constant.

The camera also features a Bokeh Switch for one-touch background bokeh enhancementxxviii and of course, the ZV-E1 also includes the Product Showcase Settingxxix in the rest of the Sony ZV line, designed for product review videos and allowing users to smoothly switch focus from the presenter’s face to a product and back.

Control Time To Capture Unforgettable Moments and Situations

In-camera time-lapse creation is a great feature for users who want to record time-lapse video sequences like the movements of clouds, people, cities and other slowly changing subjects in uniquely expressive ways. The exposure intervalxxx can be set from 1 second to 60 seconds, making it easy to compress slow action into enjoyable time-lapse sequences. Interval shooting used to capture individual still images at intervals greater than 60 seconds is also available.

Advanced Audio for Winning Content

The ZV-E1 features a high-performance 3-capsule microphone with variable directivity to optimize clear and crisp audio recordings. Front, all directions, and rear directivity settings are available to match a variety of environments, and for the first time, automatically switches to a direction in line with face recognition, so users can easily make optimal recordings. The new Autoxxxi setting allows [Front] or [All Directions] directivity to be automatically selected according to the current subject recognition and tracking status. The camera also includes a Multi Interface (MI) shoe with digital audio interface and mic and headphone jacks offer expanded audio capabilities. Supplied with the camera, is a windscreen that can significantly reduce noise when shooting in windy conditions.

Advanced and in-Depth Editing Support Gets The Creator’s Intent Across

The ZV-E1 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, supports internal intra-frame (All-I)xxxii recording and XAVC HSxxxiii format recording using the MPEG-H HEVC/H.265 codec provides approximately doubled efficiency.

The camera has Flexible ISO, which can be set to AUTO or manually set between 640 and 102400 (160 and 409600 in expanded ISO mode). Picture profiles with assignable LUTs are available so users can create specific looks when shooting in modes other than one of the preset Log modes.

The ZV-E1 records image stabilization and camera rotation metadata that can be useful when editing in the free Catalyst Browse desktop application, paid Catalyst Prepare desktop applicationxxxiv or pluginxxxv as users can quickly and precisely stabilise footage during editing. Lens breathing compensation can be applied during editing.

Designed for easy content creation

The ZV-E1has been designed for ease of use, with a side-opening vari-angle, 3 inch type 1.07 Mdot LCD Screen for easy monitoring, a touch function while recording and control layout and grip optimized for content creation.

The new camera features uninterrupted power for extended recording with Sony’s high-capacity Z battery and USB PD (Power Delivery) that supports fast chargingxxxvi. The ZV-E1 also features a dust and moisture resistant designxxxvii.

Stream top-quality live content as when connected to a personal computer or smartphonexxxviii via USB the ZV-E1 can function as a 4K (2160p) webcam and take online meetings, live events, and even simple conversations with family and friends to new creative heights.

Creators’ Cloud and Easy Smartphone Connection

Creators can connect and share content easily with Sony’s newly announced Creator’s Cloudxxxix platform and easy smartphone connection.

The Creator’s App can be used to control the ZV-E1 from the smartphone, and transfer stills and videos shot on the camera to the smartphone. Camera battery and media status can be monitored from the smartphone, and date and camera names can be edited as needed. The Creator’s App also provides a convenient way to update camera software.

Designed With Sustainability in Mind

In addition to Sony’s commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-E1 has been specifically developed with sustainability in mind.

The camera has a newly developed windscreen using fibers made from recycled PET bottlesxxxx to reduce Sony’s environmental impact, without compromising functionality. Lastly, the outer packaging of the ZV-E1 is environmentally conscious and recyclable with no plastic and employs Sony’s ‘Original Blend Material’ – bamboo, sugar cane and recycled paper. Also, plant-based non-woven fabrics are used for the product bagsxxxxi to minimize Sony’s environmental footprint.

Also, ZV-E1 includes accessibility features that facilitate operation in several ways, including screen reader functionality for the visually impairedxxxxii. Accessibility features allow anyone to enjoy shooting and playback using the ZV-E1.

Pricing and Availability

The new ZV-E1 will be available in May 2023 at a variety of Sony’s authorized dealers, for an estimated retail price of $2,199.99 USD and $2,999.99 CAN. A kit variation including the compact full-frame 28-60 mm F4.5-5.6 zoom lens is also available for an estimated retail price of $2,499.99 USD and $3,399.99 CAN.

For detailed product information, please visit:

Notes:
i It can be used with all E-mount lenses including the superlative G Master series with stunning resolution and world-class bokeh.
ii As of the March 2023 product announcement, based on a Sony survey of interchangeable-lens digital cameras with 35mm full-frame image sensors and optical in-body image stabilization.
iiiCompared to the BIONZ X image processing engine in the ZV-E10. Sony tested.
iv A free license key must be downloaded from Sony’s camera upgrade website and installed in the camera. Not available in some countries and regions. To be released in June 2023 or later. Visit the following URL for details: https://creatorscloud.sony.net/cameraupgrade/4k120p/ QFHD(3840×2160) with approx. 10% image crop.
v A free installation key must be downloaded from the issuing web site and installed in the camera. QFHD(3840×2160) with 10% image crop.
vi Post-production editing and S&Q mode recording required.
vii Audio recording not available in the S&Q mode.
viii S-Log3 movies, Sony tests.
ix Available in the Movie and S&Q modes. Not available for XAVC S-I 4K recording in S&Q mode.
x Mood is not available when the [Mono] Look is selected.
xi S-CINETONE/ CLEAN / CHIC / FRESH / MONO
xii AUTO / GOLD / OCEAN / FOREST
xiii HIGH / MID / LOW
xiv Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps.
xv The black bands above and below the image are recorded as part of the image. The image area between the black bands is Cinemascope aspect ratio, but aspect ratio of the entire recorded image area is 16:9.
xvi Settings are reset when switching between the still, movie, and S&Q modes (including REC in Still mode).
xvii Animal recognition has been expanded, now recognising the eye of some grazing and small animals in addition to the eyes and heads of dogs, cats, and similarly featured animals
xviii The newly added Bird mode easily pinpoints the eyes of a variety of bird types as well as recognising bird heads, bodies, and poses
xviv Camera may not accurately recognize all specified subjects in all conditions. Available subject settings are: [Human], [Animal/Bird], [Animal], [Bird], [Insect], [Car/Train], and [Airplane]. Subject types other than the type specified may be erroneously recognized in some cases
xx Available in the movie or S&Q mode when Intelligent Auto is selected with [AF Subject Recognition] set to [Human].
xxi Only available with lenses that support Breathing Compensation. Angle of view and image quality may change slightly. Full compensation may not be possible with all lenses. This function is not available when Distortion Comp. is OFF, the S&Q mode is in use, or the recording format is set to RAW or any format that includes RAW. http://support.d-imaging.sony.co.jp/support/ilc/breathing/en/
xxii [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning.
xxiii Only available for video. Framing is cropped from 4K images, resulting in reduced angle of view.
xxiv Angular shake (pitch/yaw) has the biggest impact on image quality and tends to increase at longer focal lengths, X/Y shift that is most apparent in high magnification macro shots and rotational shake (roll) that can ruin night shots and movies.
xxv CIPA standards. Pitch/yaw shake only. FE 50mm F1.2 GM lens. When shooting stills.
xxvi Dynamic active Mode reduces angle of view more than Active Mode. Clear Image Zoom is not available when shooting 4K movies using Dynamic active Mode.
xxvii Compared to the α7S III Active Mode. Sony internal tests.
xxviii Backgrounds can be quickly defocused by simply pressing it. This feature makes it easy to achieve beautiful full-frame bokeh that effectively emphasizes the main subject while creating deep, impressive images.
xxix [Subject Recognition in AF] is locked to [Off], and [Focus Area] is set to [Zone].
xxx Maximum exposure interval is 6 seconds when shooting 4K.
xxxi [Front] or [All Directions] directivity is automatically selected according to the current subject recognition and tracking status.
xxxii When XAVC S-I 4K or HD is selected via the file format menu.
xxxiii Catalyst Browse™ Version 2022.1 or later, or other XAVC HS compatible editing software is required for editing
xxxiv Supported in Catalyst Browse/Prepare Version 2020.1 or later. Image stabilisation metadata that can be used by Catalyst is generated when using a Sony E-mount lens with the camera’s optical image stabilisation set to [OFF] or [Active].
xxxv These features may not be usable in some countries or regions. For details, refer to Service Availability by Country/Region here https://support.d-imaging.sony.co.jp/app/cpplugin/
xxxvi USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adapter used and camera operating conditions.
xxxvii Not guaranteed to be 100% dust and moisture proof.
Xxxviii When streaming via USB maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB2.0. maximum image resolution is HD (720p) and maximum frame rate is 30p.
xxxix Sony’s Creator’s Cloud platform brings the latest camera technology together with cloud AI technology to support the entire creator workflow, from shooting to production. Availability timing of services will vary by region and country.
xxxx Recycled material may not be available depending on the time of production.
xxxxi Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods.
xxxxii The initial shipping setting is English and can be changed to 10 different languages in the menu.

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Specs:

Price
MSRP - $2200 (body only), $2500 with 28-80mm F4-5.6

Body type
Body type - SLR-style mirrorless
Body material - Composite

Sensor
Max resolution - 4240 x 2832
Image ratio w:h - 1:1, 4:3, 3:2, 16:9
Effective pixels - 12 megapixels
Sensor photo detectors - 13 megapixels
Sensor size - Full frame (35.6 x 23.8 mm)
Sensor type - BSI-CMOS
Processor - Bionz XR
Color space - sRGB, Adobe RGB, BT.2020
Color filter array - Primary color filter

Image
ISO - Auto, 80-102400 (expands to 40-409600)
Boosted ISO (minimum) - 40
Boosted ISO (maximum) - 409600
White balance presets - 7
Custom white balance - Yes
Image stabilization - Sensor-shift
Image stabilization notes - 5-axis
CIPA image stabilization rating - 5 stop(s)
Uncompressed format - RAW
JPEG quality levels - Extra fine, fine, normal
File format:

  • JPEG (Exif v2.32)
  • HEIF
  • Raw (ARW 4.0)

Optics & Focus
Autofocus:  

  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View

Autofocus assist lamp - Yes
Manual focus - Yes
Number of focus points - 759
Lens mount - Sony E
Focal length multiplier - 1×

Screen / viewfinder
Articulated LCD - Fully articulated
Screen size - 3″
Screen dots - 1,036,800
Touch screen - Yes
Screen type - TFT LCD
Live view - Yes
Viewfinder type - None

Photography features
Minimum shutter speed - 30 sec
Maximum shutter speed - 1/8000 sec
Maximum shutter speed (electronic) - 1/30 sec
Exposure modes:

  • Program
  • Aperture priority
  • Shutter priority
  • Manual

Built-in flash - No
External flash - Yes (Multi-interface shoe)
Drive modes:

  • Single
  • Continuous
  • Self-timer
  • Bracketing (AE/WB/DRO)

Self-timer - Yes
Metering modes:

  • Multi
  • Center-weighted
  • Highlight-weighted
  • Average
  • Spot

Exposure compensation - ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing - ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
WB Bracketing - Yes

Videography features
Format    MPEG-4, XAVC S, XAVC HS, XAVC S-I, H.264, H.265
Modes:    

  • 3840 x 2160 @ 60p / 200 Mbps, XAVC HS, MP4, H.265, Linear PCM
  • 3840 x 2160 @ 50p / 200 Mbps, XAVC HS, MP4, H.265, Linear PCM
  • 3840 x 2160 @ 30p / 140 Mbps, XAVC HS, MP4, H.265, Linear PCM
  • 3840 x 2160 @ 25p / 140 Mbps, XAVC HS, MP4, H.265, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, XAVC HS, MP4, H.265, Linear PCM
  • 3840 x 2160 @ 60p / 600 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 50p / 500 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 300 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 250 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 240 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 222 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 185 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 111 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 93 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 89 Mbps, XAVC S-I, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM

Microphone - Multiple
Speaker - Mono

Storage
Storage types - UHS-II SD slot

Connectivity
USB - USB 3.2 Gen 2 (10 GBit/sec)
USB charging - Yes (USB PD supported)
HDMI - Yes (Micro)
Microphone port - Yes
Headphone port - Yes
Wireless - Built-In
Wireless notes - 802.11ac (dual band) + Bluetooth
Remote control - Yes (wireless or smartphone)

Physical
Environmentally sealed - Yes
Battery - Battery Pack
Battery description - NP-FZ100 lithium-ion battery charger
Battery Life (CIPA) - 570
Weight (inc. batteries) - 483 g (1.06 lb / 17.04 oz)
Dimensions - 121 x 72 x 54 mm (4.76 x 2.83 x 2.13″)

Other features
Orientation sensor - Yes
GPS - None

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Chris and Jordan take the brand new Sony ZV-E1 out for a spin, to see if it satisfy the needs of content creators.

  • 0:00 - Intro
  • 0:46 - Photography
  • 1:42 - Design and functions
  • 2:29 - Touchscreen interface
  • 5:26 - Vlogging examples
  • 6:51 - Audio
  • 7:26 - Live cropping
  • 8:42 - Video performance
  • 10:18 - Who is it for?

 

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My Sony ZV-E1 review: I’ll show you all the new fun modes for content creators!

  • 00:00 - Introduction and alternatives
  • 02:09 - Sony ZV-E1 design and controls
  • 03:56 - Sony ZV-E1 screen and menus
  • 04:30 - Sony ZV-E1 ports and card slot
  • 05:47 - Sony ZV-E1 battery and overheating
  • 06:54 - Sony ZV-E1 microphone quality and modes
  • 09:44 - Sony ZV-E1 sensor and rolling shutter skewing
  • 10:48 - Sony ZV-E1 photo modes
  • 11:52 - Sony ZV-E1 video modes
  • 13:08 - Sony ZV-E1 log and LUTs
  • 13:59 - Sony ZV-E1 Product Showcase test
  • 15:55 - Sony ZV-E1 Auto Framing test
  • 17:53 - Sony ZV-E1 Framing Stabilizer test
  • 18:48 - Sony ZV-E1 Multiple Faces test
  • 20:18 - Sony ZV-E1 vlogging and stabilizer test
  • 23:40 - Sony ZV-E1 Cinematic Vlog test
  • 25:24 - Sony ZV-E1 verdict

 

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Sony ZV-E1 Initial Review | Content Creator Dream Camera?
Insane specs, 4k120, and crazy new features in a compact body...dream camera or overheating nightmare. 

  • 0:00 Intro
  • 0:27 Shot on ZV E1
  • 1:59 First Impressions
  • 2:47 Hardware
  • 5:59 Specs and Features
  • 10:24 New AI Features
  • 12:38 There's a problem
  • 14:05 Autofocus 
  • 15:19 2 Massive Issues 
  • 17:39 Should you buy it

 

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The Sony ZV-E1 is designed specifically for content creators to help bridge the gap between entry-level vlogging cameras and more professional movie-centric hybrid and cinema cameras. How does it compare to the FX3 and a7S III? Watch this video to find out!

  • 0:00 Intro
  • 0:58 Key Specs
  • 2:13 ‘ZV’ Features
  • 3:33 New Features
  • 4:04 AI Features
  • 5:03 Stabilization & Framing
  • 6:25 Microphones & Audio
  • 7:38 Physical Layout
  • 8:30 VS FX3 & a7S III
  • 9:34 Who is this for?

 

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  • 2 months later...
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The PERFECT* video camera in 2023. Here's my review of the Sony ZV-E1! When you add the sensor of the a7S III and the autofocus capabilities of the a7R V into the body of the ZV-E10, you get the ZV-E1. *Outside of certain use cases, this is by far my favorite camera. It's literally a budget a7S III!

  • 00:00 Introduction
  • 00:29 Sensor & Sample Footage
  • 01:24 Autofocus
  • 02:37 Features - Audio
  • 03:14 Features - Auto Framing
  • 03:47 Features - Framing Stabilizer
  • 04:11 Features - Dynamic Active Stabilization
  • 04:43 Features - Automatic DOF Adjustment
  • 05:11 Features - Cinematic Vlog Mode
  • 05:37 Things I Don't Like...
  • 06:20 Overheating
  • 06:54 Why I Love This Camera!
  • 09:14 Conclusion

 

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