Jump to content

Martin Vronsky

Members
  • Posts

    2,893
  • Joined

  • Last visited

  • Days Won

    5

Posts posted by Martin Vronsky

  1. Specs:

    Lens type - Zoom lens
    Max Format size - FourThirds
    Focal length - 9–18 mm
    Image stabilization - No
    Lens mount - Four Thirds

    Aperture
    Maximum aperture - F4–5.6
    Minimum aperture - F22
    Aperture ring - No
    Number of diaphragm blades - 7
    Aperture notes - rounded blades

    Optics
    Elements - 12
    Groups - 8
    Special elements / coatings: 2 DSA lens, 1 Aspherical Lens, 1 ED lens, 1 HR lens

    Focus
    Minimum focus - 0.25 m (9.84″)
    Maximum magnification - 0.1×
    Autofocus - Yes
    Motor type - Micromotor
    Focus method - Internal
    Distance scale - No
    DoF scale - No

    Physical
    Weight - 154 g (0.34 lb)
    Diameter - 56 mm (2.21″)
    Length - 49 mm (1.94″)
    Colour - Black
    Zoom method - Rotary (extending)
    Filter thread - 52 mm
    Hood supplied - Yes

  2. omsystem_9-18mm_lens.jpg.thumb.jpg.7abd79c0498a30252cf7276710ce3ed7.jpg

    Press Release:

    Introducing the M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 II Lens (35mm Equivalent: 18-36mm) with Retractable Design for Unmatched Portability

    Experience Effortless Creativity with the Unique Photographic Possibilities of an Ultra Wide-Angle Zoom Lens

    Bethlehem, PA, January 30, 2024 - OM Digital Solutions Corporation is pleased to announce the launch of the M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 II, with a 35mm equivalent of 18-36mm. This wide-angle lens complies with the Micro Four Thirds System standard, providing users with a versatile tool to explore a wide range of photographic possibilities. Customers can pre-order the lens now. The lens is set to hit the market in late February 2024.

    The M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 II stands out as the lightest and most compact option among the three M.ZUIKO DIGITAL ultra wide-angle zoom lenses.¹ Photographers can fully leverage its wide-angle capabilities to capture expansive natural landscapes and take wide macro shots of flowers and trees from a low angle, encompassing the sky in the composition. This approach emphasizes perspective by bringing the subject closer, resulting in an effortless expansion of the photographer’s creative palette in outdoor photography.

    Pricing & availability for OM SYSTEM M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 II Lens

    The M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 II lens will be available beginning in late February 2024 at a suggested retail price of $699.99 (US); $949.99 (CAD)

    1 Among these three lenses: M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 II, M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO, and M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO.

  3. omsystem_150-600mm_lens.thumb.jpg.10cafd7ccf917bb1e7cc49d01c4b2ef2.jpg

    Press Release:

    Introducing the M.ZUIKO DIGITAL ED 150-600 F5.0-6.3 IS Lens
    Capture Wild Birds Easily with Powerful Image Stabilization and Super-Telephoto Hand-Held Shooting

    Bethlehem, PA - January 30, 2024 - OM Digital Solutions Corporation is pleased to announce the M.ZUIKO DIGITAL ED 150-600mm F5.0-6.3 IS (35mm equivalent: 300-1200mm) lens, a pinnacle in super telephoto zoom technology. This Micro Four Thirds System standard-compliant super telephoto zoom lens is a testament to innovation, offering an expansive focal length of up to 1200mm equivalent¹ on its own and up to 2400mm equivalent1 when combined with the optional M.ZUIKO DIGITAL 2x Teleconverter MC-20, redefining versatility, delivering unparalleled imaging excellence. This lens will be available beginning in late February 2024 and features compatibility with 5-axis sync IS when used with the new OM-1 Mark II, providing up to 7 shutter speed steps of image stabilization². When used independently, it offers up to 6 shutter speed steps of image stabilization³, for razor-sharp clarity even at extreme distances, eliminating the need for a tripod and allowing photographers to seize decisive moments on the fly.

    Crafted with resilience in mind, the M.ZUIKO DIGITAL ED 150-600mm F5.0-6.3 IS lens features IPX1 splash & dust-proof performance, complete with fluorine coating, making it a reliable companion in the harshest environments. Its compact, lightweight design grants photographers unparalleled mobility, enabling fast and nimble maneuverability while seeking elusive subjects. The OM SYSTEM M.ZUIKO DIGITAL 150-600mm F5.0-6.3 IS lens heralds a new chapter in photographic excellence. Empowering photographers with unparalleled reach, resilience, and performance, it redefines boundaries and captures the extraordinary.

    Pricing & availability for OM SYSTEM M.ZUIKO DIGITAL ED 150-600mm F5.0-6.3 IS lens

    The M.ZUIKO DIGITAL ED 150-600mm F5.0-6.3 IS lens will be available beginning in late February 2024 at a suggested retail price of $2,699.99 US and $3,599.99 CAD.

    1 35mm equivalent
    2 According to CIPA standards; Image stabilization is disabled at the halfway release when correction is performed on two axes (yaw and pitch) Camera body: OM-1 Mark II at a lens focal distance of 150mm (35mm equivalent focal length: 300mm)
    3 According to CIPA standards; Image stabilization is disabled at the halfway release when correction is performed on two axes (yaw and pitch). Camera body: E-M10 Mark IV at a lens focal distance of 150mm (35mm equivalent focal length: 300mm)

  4. Quote

    This video takes a sharp departure from landscape photography, and I get out of my comfort zone with some cityscape photography in New York City. We also explore timelapses, abstracts, and various creative techniques. This video was filmed in a POV style, so you can see my thought process while composing and all of my techniques! I really hope you enjoy this one.

    • 0:00 Time Square Abstracts
    • 1:57 Time Square Timelapse
    • 3:16 Timeblend
    • 3:35 Radio City Music Hall
    • 4:50 Abstract Night Building Details
    • 7:09 Uh Oh
    • 8:18 Oculus Abstracts
    • 9:27 Night Cityscape Long Exposures
    • 12:54 Final Thoughts
  5. Quote

    Discover 24 Incredible Hidden Photoshop Features, Tricks, and Hacks Most Pros Don’t Know! Whether you’re into retouching, compositing, digital art, or graphic design, these tricks will save your time and sanity and make your Photoshop life a breeze. I hope this video helps. Thank you for watching 🙂

    • 00:00 Intro
    • 00:16 Layer Locks - Movement Lock
    • 01:19 Unlimited Color Grading Presets
    • 02:23 Face Command
    • 03:29 Major Announcement
    • 04:17 Fit to Canvas
    • 05:07 Auto-Zoom Layers
    • 05:46 Change Perspective - Perspective Warp
    • 07:05 Liquify Tricks - Reconstruct and Face-Aware
    • 08:06 Same Document Multiple View
    • 09:28 Repeat Transform - Step and Repeat
    • 10:35 Knockout
    • 11:37 Export All Open Documents
    • 12:34 Secret Sliders in Curves
    • 14:15 Sample Colors from Outside Photoshop
    • 15:15 Rotate Your View
    • 16:09 Fix Color Issues
    • 17:54 Create Slideshow
    • 18:48 Paint in Perspective - Vanishing Point
    • 20:19 Reference Point Shortcut
    • 21:18 Blend-If Colors
    • 21:58 Content-Aware Scale
    • 22:38 Layer Comps
    • 24:03 Smart Object Shortcut
    • 25:02 Auto-Blend for Compositing
    • 25:56 Fix Extreme Colors 
  6. Quote

    Hey Guys, Today I wanted to do a quick video talking about the Z8 and Z9 and discuss a few of the key reasons why you might want to pick one over the other for your own wildlife photography!
    I had a great time at the weekend discussing this very topic with loads of Nikon shooters at the Birdfair in the UK so thought this might help a few of you out, if you're looking at these two rather epic cameras! 

    As a professional wildlife photographer I have quite a few requirements when it comes to my kit, but luckily these days with the Z9 and Z8 we are rather spoilt! The two cameras built round a 45mp sensor with high frame rates and wonderful AF are exceptional tools for working out on location and capturing the action but for many it can be a tough choice knowing what to pick up! 

    As a working pro you might think its obvious that I'd want two Z9's.... but as you'll hear there are quite a few reasons why the newer, smaller baby brother to my favourite camera is now firmly part of the bag!

  7. Quote

    Bokeh is a beautiful and artistic effect that can make your videos more cinematic and expressive. But what is bokeh exactly, and how can you achieve it with your camera? In this video, we’ll explain everything you need to know about bokeh, from its origin and meaning, to the factors that influence its shape and size, to the ways you can use it to enhance your storytelling. We’ll also show you some examples of bokeh in famous films and how they create different moods and emotions. Whether you want to create a romantic, dreamy, lonely, or intense atmosphere, bokeh can help you do that. Watch this video and learn how to master the art of bokeh in your videos.

  8. Quote

    Street photography can be overwhelming especially if you are just starting out, so here are my 6 street photography tips from one beginner to another. What else would you add?

    0:00 - Tip 1: What camera do I need?
    0:48 - Tip 2: How well do I need to know my camera?
    1:29 - Tip 3: JPEG or RAW?
    2:16 - Tip 4: What should I shoot?
    3:00 - Tip 5: How to get close to people?
    3:38 - Tip 6: What focal length lens should I use?
    3:50 - Bonus Tip: How to make it easier?

  9. hasselblad_cfv_100c_camera.thumb.jpg.dffe80fc56da62a5cd11b34bb1bdb46c.jpg

    Press Release:

    HASSELBLAD UNVEILS THE 907X & CFV 100C

    ENHANCING MEDIUM FORMAT PHOTOGRAPHY WITH VERSATILITY & UNMATCHED IMAGE QUALITY

    Hasselblad, a pioneer in medium format photography, introduces the 907X & CFV 100C, a fusion of modular design and advanced technologies that offer three distinctly different photographic abilities, presenting the most compatible Hasselblad 100-megapixel medium format camera to date. Building on its iconic design, the 907X & CFV 100C has been upgraded with a new 100-megapixel back-illuminated sensor, doubling the resolution of its predecessor, the 907X & CFV II 50C.

    A MODULAR DESIGN. THREE APPLICATIONS.
    THE 907X CAMERA BODY

    The 907X & CFV 100C combine to create the smallest and most powerful medium format camera in the industry. This dynamic combination is compatible with all XCD, HC/HCD, and Xpan lenses, uniting high optical lenses to produce the best image straight out of the camera.

    HASSELBLAD V SYSTEM FILM CAMERAS

    The CFV 100C breathes new life into Hasselblad V System cameras, such as the 500 and 200 series. Photographers can use their beloved film camera with the powerful CFV 100C sensor to produce the same picture quality of the digital age while also providing the unique experience of shooting at waist level. The CFV 100C keeps a classic timeless in every sense of the word.

    TECHNICAL CAMERAS

    With the CFV 100C, technical film cameras will reap the benefits of its 100-megapixel sensor, helping photographers, museums, or institutions meet rigorous and precise photographic needs. The 3.2-inch touchscreen display and 2.36 million resolution, with its superior flexibility and colour richness, provide photographers with an easy-to-use experience and a cost-effective digital solution for a technical camera.

    UNIQUE DESIGN AND ICONIC HERITAGE

    The 907X & CFV 100C provide users with the unique experience of capturing images at waist level. Its classic design, waist-level viewfinder, leather-like coverage, and chrome frame are tailored for individuals who seek to showcase their unique taste and appreciation of vintage aesthetics. The viewfinder can be tilted upward from 40 to 90 degrees to provide photographers with a range of perspectives.

    UNPARALLELED IMAGE QUALITY, LIFE LIKE AND TRUE TO COLOUR

    The CFV 100C, combined with the Hasselblad Natural Colour Solution (HNCS), ensures colours are captured with unparalleled accuracy, reproducing scenes just as the human eye perceives them. Photographers can capture their subjects with true and natural colour presentation in both JPG or RAW format. With a 16-bit colour depth, the CFV 100C presents approximately 281 trillion colours, providing photographers with an extensive palette for capturing the full visual spectrum. The CFV 100C introduces an ISO sensitivity as low as 64, producing image quality that is delicate, pure, and rich in lifelike details. With an impressive 15-stop dynamic range for preserving rich light and dark details, the CFV 100C ensures a smooth and natural transition in every image, allowing photographers to push creative boundaries.

    ADVANCED AUTOFOCUS AND FACE DETECTION

    The 907X & CFV 100C introduce users to its Phase Detection Autofocus (PDAF) with 294 zones spread over the 100-megapixel sensor surface. Covering an impressive 97% of the focus range, this advanced autofocus technology ensures every shot is sharp and precisely focused. Its face detection capabilities make capturing portraits easier in various locations.

    BUILT-IN STORAGE SYSTEM

    The CFV 100C boasts a remarkable 1TB of built-in storage space, marking it as the first modular camera with built-in storage capabilities. The 1TB of built-in storage space allows users to store up to 4600 RAW images directly on the camera. This exciting new feature eliminates photographers' concerns about running out of storage during crucial moments or not being able to locate a memory card.

    REDUCED WEIGHT AND COMPACT SIZE

    The 907X & CFV 100C weighs 120g less than the 907X & CFV 50C, making it lightest, smallest and high-resolution medium format camera in the industry. The reduction in weight enhances comfort during extended shoots, minimizing fatigue and contributing to improved stability for handheld photography.

    WHERE TO GET IT

    The Hasselblad 907X & CFV 100C has an MSRP of USD $8,199. It is now available to order online. See details of the new product at www.hasselblad.com.

  10. Quote

    How to photograph a Solar Eclipse - my guide including gear, settings and locations!

    • 00:00 - Solar Eclipse introduction
    • 01:44 - Finding the next Solar Eclipse
    • 02:34 - The Eclipse Path
    • 04:24 - Choosing the best location for an Eclipse
    • 06:22 - Europe 1999 Eclipse - what I learned
    • 08:03 - Zambia 2001 Eclipse - what I learned
    • 08:25 - USA 2017 Eclipse - what I learned
    • 09:45 - USA 2024 Eclipse - preparations and plans
    • 10:36 - Solar Eclipse Photography
    • 11:16 - Filters for Solar Eclipse photography
    • 12:32 - Coloring partial phases in Photoshop
    • 12:51 - Which lens for Solar Eclipse photography?
    • 17:25 - Which camera for Solar Eclipse photography?
    • 18:16 - Which tripod and head for Solar Eclipse photography?
    • 19:30 - Best exposure settings for Solar Eclipse photography
    • 20:11 - Recommended exposure for Partial Solar Eclipse
    • 21:26 - Recommended exposure for Total Solar Eclipse
    • 22:51 - Best exposures for Totality using long telephoto lens 
  11. Quote

    Hey Everyone & welcome back!

    In today's video we're going to be testing out iFootage Anglerfish LED lights, in particular the 60BNA, 130BNA and the newest light in the range, the 200BNA!

    In the video I photograph a few different products and show you how you can easily set up a small space at home for cosmetic product photography. I only utilise a one light setup for this product shoot, so it's incredibly simple!

    I hope you all enjoy the video.

  12. Quote

    There is one slider that plays a more outsized role in my Lightroom editing workflow than any other, and most photographers end up ignoring it entirely. I am putting an end to that with this video.

    • 00:00 - How my photo editing workflow has changed
    • 00:38 - Enabling the Color Calibration panel in Lightroom
    • 02:23 - Why RGB?
    • 03:28 - Why Use Color Calibration instead of Color Mixer?
    • 05:42 - Using Color Calibration with your photos
    • 09:51 - Learn how to use Lightroom Everywhere!
  13. Quote

    The Difference between Texture, Dehaze and Clarity in Lightroom. Colin Smith explains the presence panel in lightroom and camera Raw. Find out how Clarity, dehaze and texture work and where to use them.

    • 00:00 Intro
    • 00:20 Definition of Contrast and Frequency
    • 02:45 Defining Clarity
    • 03:47 Clarity Demonstration
    • 05:29 Defining Dehaze
    • 06:07 Dehaze Demonstration
    • 06:40 Defining Texture
    • 07:49 Using Texture
×
×
  • Create New...