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Press Release: Major upgrade adds new pro cinema & video production capabilities to Nikon Z 9, plus features for fast-action photography and more - The Z 9 Becomes Even More Powerful with Free Firmware 2.0 Upgrade for Video and Stills - Firmware Updates Also Announced for the Nikon Z 7II & Nikon Z 6II Full-Frame Mirrorless Cameras - Nikon Announces Development of the MC-N10 Remote Grip MELVILLE, NY (April 14, 2022) –Today, Nikon Inc. has announced major feature additions to the Nikon Z 9 that will soon be available through a free firmware upgrade. The upgrade is Nikon’s most comprehensive to date, significantly expanding the Z 9’s already powerful video and stills feature set. With enhancements including in-camera 12-bit RAW video at up to 8K 60p, oversampling at 4K UHD 60p, and a new Pre-Release Capture function that increases the odds of catching hard-to-predict moments, the Z 9 solidifies its role as the ultimate hybrid camera for filmmakers, videographers, photographers and creators. Additionally, Nikon has also announced AF performance enhancements and other improvements with firmware v. 1.4 for the Z 6II and Z 7II, as well as the development of the new MC-N10. The new upgrades for the Z 9, Z 7II and Z 6II will all be available free of charge starting April 20, 2022. “The Nikon Z 9 is considered by many to be the most powerful and versatile camera on the market. With the most extensive combination of powerful stills and advanced video capture abilities available today, it’s been our most successful flagship camera ever,” said Jay Vannatter, Executive Vice President, Nikon Inc. “Now the best is getting even better - These latest updates are just another example of the Z system’s ability to rapidly evolve and gain features and usability by using our customers feedback.” At the forefront of this comprehensive firmware upgrade are enhancements for cinema and video capture, chiefly the addition of 12-bit internal RAW video recording in a variety of frame rates and resolutions, as well as functionality and interface adjustments made specifically for videographers. Footage can now be captured at up to 8.3K 60p with Nikon’s new N-RAW format, or up to 4.1K 60p in ProRes RAW HQ.1 This allows the Z 9 to capture the largest possible color depth and a vast dynamic range for maximum flexibility when color grading and in post-production. Nikon’s new N-RAW (.NEV file)2 packs all the depth and detail of 12-bit RAW video into a file that’s half the size of equivalent ProRes RAW HQ files for lighter workflow. The new video options take full advantage of the Z 9’s exceptional full-frame sensor, with N-RAW footage captured at up to 8.3K (8256x4644), allowing for export in UHD or DCI 8K aspect ratios. Shooting at such a high-resolution grants consistency in a multiple camera production, or the flexibility of letting users add effects such as zooming, reframing and trimming when producing 4K content. Firmware 2.0 for the Z 9 also adds still-photo features, including enhancements to autofocus and high-speed image capture. Imagine trying to anticipate the most decisive moment of a game or action sequence; When shooting at 30 or 120fps in High-Speed Frame Capture+, the camera starts capturing up to one full second before the shutter is fully depressed, giving the photographer extra time to trigger the camera and still capture the most impactful shot. From the instant a receiver jumps for a pass in the end zone, or a bird dives into the water for a meal, the fastest fleeting frames will be captured before a human can physically react. When half-pressing the shutter, the camera can record frames up to one full second before and up to four seconds after the shutter is fully pressed, all with no viewfinder blackout or distractions that would otherwise interrupt the action. Videography and Cinema Upgrades for the Nikon Z 9 Addition of internal N-RAW video recording up to 12-bit 8.3K 60p and 12-bit ProRes RAW HQ up to 4.1K 60p. The power of RAW video allows for extreme latitude with tonality, with a range of more than 68 billion colors for flexibility when grading or consistency as part of a multi-camera production. Nikon’s new N-RAW raw video format records a vast amount of scene information, yet is a significantly smaller file size, allowing for much more recording time and less intensive workflow. N-RAW footage can be recorded in the following formats: 3K 60p, 24p, or 4.1K 120p, 60p, 30p, 24p while in full frame/FX mode, 3.8K 120p with a 2.3x Crop, or 5.3K 60p, 30p, 24p with a DX (1.5x) crop. The N-RAW format also creates an mp4 proxy file, which is efficient for previewing, quick transfers or edits on the fly. 4K UHD 60p footage can now be oversampled from 8K footage, allowing for the sharpest and cleanest possible 4K content. A Red “REC” frame indicator on the monitor and viewfinder has been added during recording to easily identify when video is being captured. A Waveform monitor has been added to confirm the brightness levels and position of the subject while recording. A new dedicated video info display gives various video recording settings at a glance, such as frame size and rate, audio settings, codec, bit depth and HDMI output settings, all of which can be confirmed on a single screen. Additionally, a frame rate/size display on the top control panel helps to confirm when the rear monitor is difficult to view. A “Fine ISO control (Mode M)” enables exposure adjustment in increments of 1/6 EV for ultra-precise and smooth changes in exposure. The Fast AF-ON function allows a user to assign different AF speeds to separate controls. From a slow rack focus to a fast transition, two speeds are now assignable on customizable buttons to improve video shooting efficiency. To enable slow shutter video recording of extremely dark scenes or intentionally introduce blur when shooting video in M mode, the shutter speed can be set at a slower than 1/frame rate. With select frame rates and resolution settings, the user now has the ability to save consecutive frames in a selected section of video footage as a series of JPEG images while the playback is paused. Still Photo Upgrades for the Nikon Z 9 For the first time in a mirrorless full frame camera, the Pre-Release Capture feature acquires hard-to-predict moments easier than ever before3, allowing for the burst capture of images up to a full second before the shutter is fully pressed. Twenty types of Custom Wide-Area AF selection patterns have been added, giving the user more control over what part of the frame they want to focus on, which can also work in conjunction with subject detection. This is useful for a variety of sports and situations such as volleyball or a finish line. Twelve additional patterns are available for video capture. The new Retouch menu feature, “Motion Blend” creates an in-camera overlay from a series of subject movements from continuous shooting into a single picture in-camera. For example, a snowboarder’s aerial can be captured from start to finish sequentially in one finished frame. AF stability, tracking performance, and subject detection in low-light situations have been enhanced. When reviewing images, users now have the option to skip to the first shot in a given burst. For capturing amazing star trails and long exposures, Firmware 2.0 enhances the Z 9’s Long Exposure display to include a live count of the exposure time. Users also can now dim the viewfinder further and with greater precision to preserve power and their night vision. Additional Functionality Upgrades: The Z 9’s Real Live Viewfinder is arguably the most impressive EVF available, and the only one that provides a truly blackout free view. Firmware 2.0 adds the high fps viewfinder display function to increase the refresh rate to 120 fps for an even smoother, more lifelike view. Auto Exposure (AE) has been enhanced to have more stable exposure with human faces, such as when a subject turns away from the camera and then faces it again, or when the composition changes. Improved "Prioritize viewfinder" monitor mode gives a familiar shooting and review flow. “Prefer sub-selector center” is added to the custom menu, improving the operability of the sub-selector. Improvements in AWB even when the scene changes rapidly and adjustments to “Choose color temperature” and preset manual WB. A new custom setting: Focus Point Selection Speed allows users to adjust the speed that AF points can be moved through the frame. For confirmation of high-speed shooting, visual shutter release indicators appear clearly on the display and the Real Live Viewfinder. Enhanced memory set/recall function enables instant recall of several focus positions. “Recalling shooting functions (hold)” is now added to the conventional “Recalling shooting functions,” enabling the users to maintain the recalled function without continually pressing a button. Option to switch focus/control ring roles helps photographers who don’t need manual focusing employ the control ring. Upgrades for the Nikon Z 6II and Z 7II In addition, firmware version 1.40 for the Nikon Z 7II and Z 6II has improved AF performance. This update will enhance the stability of the AF, preventing the focus point from unintentionally moving to the background. The ability to emulate linear focus with select lenses will also be added while manually focusing4, so that users can smoothly adjust the focus position as intended with an operational feeling similar to cinema lenses. This firmware update also supports the ML-L7 Remote Control (Released in September 2018). Development of the MC-N10 Nikon is pleased to announce the development of the MC-N10 Remote Grip for mirrorless cameras for which the Nikon Z mount has been adopted. The MC-N10 is an accessory that allows remote control of Nikon Z-mount mirrorless cameras via a wired connection. It can control various functions of Nikon mirrorless cameras, increasing the efficiency of video recording with a small crew and expanding the possibilities of video recording. It also supports still shooting. Further details, including pricing and availability will come at a later date. Nikon MC-CF660G High Performance CFexpress Card The MC-CF660G is a CFexpress (Type B)5 memory card with a large capacity of 660 GB. It realizes a maximum read speed of approximately 1700 MB/s and maximum write speed of approximately 1500 MB/s. It is particularly suited for video/still shooting with the Nikon Z 9 full-frame/FX-format mirrorless camera. Pricing and Availability The new firmware updates will be available to download for free starting on April 20, 2022 at Nikonusa.com, and via the SnapBridge app soon afterwards. Further details about the MC-N10 will come at a later date. The new Nikon MC-CF660G High Performance CFexpress Card will be available starting in June for a suggested retail price of $729.95.6 For more information about the latest Nikon products, including other NIKKOR Z lenses and the entire collection of Z series cameras, please visit nikonusa.com. Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer. Use of the Nikon MC-CF660G, ProGrade Digital COBALT 650GB or ProGrade Digital COBALT 325GB memory card is recommended. N-RAW will be supported by EDIUS X ver.10.3.2 (by Grass Valley) and DaVinci Resolve 17.4.6, DaVinci Resolve Studio 17.4.6 (by Blackmagic Design). For N-RAW readout in 8K, DaVinci Resolve Studio ver.17.4.6 is required. As of April 14, 2022. See Nikon websites for compatible lenses. Pre-Release Capture can be configured only when High-Speed Frame Capture+ is active. CFexpress is a trademark of the CompactFlash Association in the United States and other countries. SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Press release: RICOH Announces Ricoh GR IIIx Urban Edition Special Limited Kit Limited-edition package includes metallic gray-finished camera with blue-accented lens barrel and exclusive accessories; model debuts new GR IIIx exposure and focus modes PARSIPPANY, NJ, March 9, 2022 — Ricoh Imaging Americas Corporation today announced the RICOH GR IIIx Urban Edition Special Limited Kit. This package features the RICOH GR IIIx high- end digital compact camera, with a metallic gray finish and navy-blue ring around the lens barrel. It also includes exclusive, specially designed accessories: a leather hand strap and a metallic hot shoe cover. The kit will be available in limited quantities starting in April 2022 for a manufacturer’s suggested retail price of $1,099.95. A second special package--the RICOH GR IIIx Urban Edition body only version (camera body only, without the genuine-leather hand strap and the metallic hot shoe cover)—is scheduled to be available in the summer of 2022. Main Features of the RICOH GR III Street Edition Special Limited Kit The RICOH GR IIIx Urban Edition camera body is accented by a navy-blue ring around the lens barrel. This color was selected to represent typical street shooter imagery such as deep blue skies reflected in a puddle following a rainfall or the bright neon signs of a never-sleeping city. The camera body is finished in metallic gray, reminiscent of the gritty tones of the urban landscape. This unique exterior finish requires a multi-coat process, which results in the camera’s distinctive appearance and smooth texture. The coating also helps to make it easier for a photographer to get a firm grip on the camera. The navy-blue stripe on the leather hand strap matches the color of the lens barrel ring, complementing the overall design of the camera. The package also includes a specially designed black metallic hot shoe cover. This camera also debuts several new functions that will also be available for standard GR IIIx models with firmware updates that will be released along with the availability of this Limited Edition Kit. These are: Snap Distance Priority mode, a new exposure setting: Once the preferred distance for snapshots and the desired depth of field (DOF) are set in advance, the camera lets the user quickly and easily recall these settings. This setting is programmed to select the aperture, providing the depth of field used in pan-focus photography, making it particularly handy for quick snapshot photography. Auto Area AF (Center) focus mode: Instead of covering the entire image field, this mode operates only in nine focus zones around the center of the image field, preventing the camera from focusing on unintended elements, such as a grassy field in the foreground of an image. Enable AF mode shutter-release capability: When the shutter-release button is pressed halfway down, the user can lock the AF system only, without locking the AE system. Snapshot mode: A distance setting of 11.5 feet (3.5 meters) has been added to the Snapshot mode; and a long press on the monitor during playback allows the user to instantly recall the playback function selection menu. When the camera’s power is turned off, the camera displays an original shut-down screen featuring the product logo and a street-view image symbolizing the package’s urban-oriented concept. Note: The camera’s other specifications are identical with those of the standard GR IIIx model.

Press release: Fujifilm Announces New FUJIFILM GFX50S II Mirrorless Digital Camera Valhalla, N.Y. – September 2, 2021 – FUJIFILM North America Corporation is pleased to announce the introduction of “FUJIFILM GFX50S II” (GFX50S II), the latest addition to the GFX System of mirrorless digital cameras equipped with a large format*1 sensor. GFX50S II is equipped with a 51.4MP large format sensor with incredible image- resolving power, capturing every detail in sharpness across the frame. Light is recorded to the pixel which is 1.7 times that of a full-frame sensor*2 to achieve a wide dynamic range and a high signal-to-noise ratio. The resulting image reproduces deep tonality and texture from shadows to highlights, and delivers image clarity with minimal noise even when taken in low light. One of the strengths of the large format sensor is its ability to produce a very shallow depth of field, which, when complemented by the edge-to-edge sharpness of Fujifilm’s GF lenses, accentuate the main subject against a blurred background for added three-dimensional definition. “GFX50S II offers the perfect mix of accessibility and flexibility,” said Victor Ha, senior director of marketing and product development for FUJIFILM North America Corporation, Electronic Imaging Division. “With professional features that include 19 Film Simulation modes, advanced autofocusing, and a vast range of exposure controls, GFX50S II provides limitless opportunities for creativity.” Product features: Superior image quality delivered with the use of a unique 51.4MP large format sensor GFX50S II uses a specialized design with uniquely small, light-collecting micro lenses on the sensor which create a wide gap between adjacent pixels, thereby maximizing light resolution per pixel for exceptional image sharpness. Having a large, light-receiving area per pixel results in excellent ISO sensitivity, dynamic range and tonality, controlling highlight / shadow clipping while conveying the subject’s texture, definitions and even the atmosphere of the scene in precise detail. The ability of the large format sensor to produce a very shallow depth-of-field renders background out of focus beautifully, adding definition to the subject and drawing attention to the particular area on the image that the photographer intended. Variety of Film Simulations GFX50S II comes with 19 Film Simulation modes, including “Nostalgic Neg.,” originally launched in Fujifilm’s GFX100S, and characterized by high saturation and soft tonality. Photographers can use Film Simulation presets, designed for various subject types and scenes, while checking how they affect the final image in Live View. Compact 5-axis In-Body Stabilization delivering up to 6.5-stops of Vibration Reduction GFX 50S II features a five-axis image stabilization mechanism that provides up to 6.5 stops*3, the highest in the GFX System. Made possible with the use of aII features a five-axis image stabilization mechanism that provides up high-performance gyro sensor and accelerometer that can detect motions at high accuracy, the gyro sensor has been structured for detection accuracy and precise image stabilization. This camera presents new opportunities in the way conventional medium- format digital cameras are used. Rather than being mounted on a tripod for slow and careful shooting, GFX50S II can produce superior image quality even when shooting hand-held, thanks to its image stabilization capabilities. Fast and high-precision autofocus (AF) from the high-speed processing engine and latest algorithm GFX50S II’s fast and high-precision AF system is assisted by the powerful large format high resolution sensor, Fujifilm’s high-speed image processing engine “X-Processor 4”, and an image stabilization mechanism, operated with Fujifilm’s latest algorithm. During the contrast detection process for AF, the built-in powerful image stabilization mechanism controls sensor motion blur to provide speed and accuracy to the AF performance. GFX50S II features more accurate AF in Face / Eye Detection compared to a previous model (GFX50S). The ability to quickly attain focus despite using the large format sensor with a shallow depth of field assists users greatly when shooting portraits with movement. Innovative compact and lightweight body for advanced mobility The use of the compact and powerful in-body image stabilization (IBIS) mechanism and shutter unit has been combined with optimized layout of various devices to achieve a logic-defying compact body for a large format camera, weighing approximately 37.1 ounces (900g) and measuring 4.1 inches (104.2mm) high and 3.4 inches (87.2mm) deep. The grip has been shaped so that the camera sits comfortably in the hand, ensuring comfort by significantly reducing the hand strain commonly experienced when using a large zoom lens. The casing is made of highly rigid magnesium alloy. Provided thickness around the base of the lens mount has made the camera body highly durable. GFX50S II features more accurate AF in Face / Eye Detection compared to a previous model (GFX50S). The ability to quickly attain focus despite using the large format sensor with a shallow depth of field assists users greatly when shooting portraits with movement. II is also weather-resistant at 60 locations, offering dust and moisture-resistance and the ability to operate in temperatures as low as 14 a weather-resistant FUJIFILM XF or GF lens. Easy operability for a smooth shooting experience The top panel features the Mode dial, typically seen in many digital cameras, so that users can handle the camera in a familiar fashion. It offers six customizable positions, C1 – C6, allowing users to register their choice of functions to each of the positions and activate them quickly for a smooth photo shoot, with the ability to instantly switch between the still and video modes for added convenience. The use of a flat-shaped Focus Lever reduces physical discomfort even after extended use. It responds with enhanced sensitivity when moving the focus point, allowing users to attain focus at the intended location quickly. For exceptional visibility, the customizable 1.8-inch sub LCD monitor is found on the top panel, displaying key EXIF settings such as shutter speed, aperture, ISO sensitivity and exposure. Additional information displayed includes the number of frames remaining when shooting stills and the remaining filming duration when recording video. On the rear panel is a 3.2-inch main LCD monitor with 100% coverage. It can tilt in three directions to enable high- and low-angle shooting, in situations in which the electronic viewfinder (EVF) cannot be easily used. “Pixel Shift Multi-Shot” function to capture and generate 200MP images free of false color GFX50S II features the Pixel Shift Multi-Shot function, capable of creating 200MP images almost entirely free of false color presentation. The ability to reproduce a photo’s colors, texture and even its atmosphere in the finest of details makes the camera a perfect choice for archiving. Large artworks and historical artifacts, previously difficult to photograph in detail because of their size, can be captured in precise details in edge-to-edge clarity. This function uses the camera’s IBIS to shift the image sensor by 0.5 pixel to incrementally record 16 RAW images and combine them into a single Digital Negative (DNG) RAW file in the software “Pixel Shift Combiner,” producing an ultra-high-definition 200MP image. The high pixel count leads to an astonishing level of tonality and three-dimensional definitions for edge-to-edge clarity. The image sensor is shifted in high precision to ensure that each pixel records image data in red, green and blue, almost completely eliminating false color and recording the subject in accurate color. The function can be configured to produce 51.4MP images, which are easier to handle, free of false color. GFX50S II is expected to be available in late October, 2021, at a manufacturer’s suggested retail price of $3,999 USD ($5,000 CDN). A GFX50S II camera/lens kit featuring the GF35-70mmF4.5-5.6 WR lens is expected to be available as well at a manufacturer’s suggested retail price of $4,499 USD ($5,625 CDN). For more information, visit https://fujifilm-x.com/en-us/products/cameras/gfx50s-ii/. *1 An image sensor that measures 55mm diagonally (43.8 mm x 32.9 mm) and is approx. 1.7 times bigger than a 35 mm full-frame sensor *2 When compared to a 50 megapixel full-frame camera *3 When mounted with the FUJINON Lens GF63mmF2.8 R WR Fujifilm GFX 50S II specifications Price MSRP - $3999 Body type Body type - SLR-style mirrorless Body material - Magnesium alloy Sensor Max resolution - 8256 x 6192 Image ratio w:h - 1:1, 5:4, 4:3, 3:2, 16:9 Effective pixels - 51 megapixels Sensor size - Medium format (44 x 33 mm) Sensor type - CMOS Processor - X-Processor 4 Color spaces - RGB, Adobe RGB Color filter array - Primary color filter Image ISO - Auto, 100-12800 (expands to 50-102400) Boosted ISO (minimum) - 50 Boosted ISO (maximum) - 102400 White balance presets - 7 Custom white balance - Yes (3 slots) Image stabilization - Sensor-shift CIPA image stabilization rating - 6.5 stop(s) Uncompressed format - RAW + TIFF JPEG quality levels - Super fine, fine, normal File format JPEG (Exif v2.3) Raw (14 RAF) Optics & Focus Autofocus Contrast Detect (sensor) Multi-area Center Selective single-point Tracking Single Continuous Touch Face Detection Live View Autofocus assist lamp - Yes Manual focus - Yes Number of focus points - 425 Lens mount - Fujifilm G Focal length multiplier - 0.79× Screen / viewfinder Articulated LCD - Tilting Screen size - 3.2″ Screen dots - 2,360,000 Touch screen - Yes Screen type - TFT LCD Live view - Yes Viewfinder type - Electronic Viewfinder coverage - 100% Viewfinder magnification - 0.61× (0.77× 35mm equiv.) Viewfinder resolution - 3,690,000 Photography features Minimum shutter speed - 3600 sec Maximum shutter speed - 1/4000 sec Maximum shutter speed (electronic) - 1/16000 sec Exposure modes Program Aperture priority Shutter priority Manual Built-in flash - No External flash - Yes (via hot shoe or flash sync port) Flash X sync speed - 1/125 sec Continuous drive - 3.0 fps Self-timer - Yes Metering modes Multi Center-weighted Average Spot Exposure compensation - ±5 (at 1/3 EV steps) AE Bracketing - ±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV, 2 EV steps) WB Bracketing - Yes Videography features Format - MPEG-4, H.264 Modes 1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM Microphone - Stereo Speaker - Mono Storage Storage types - Dual SD/SDHC/SDXC cards (UHS-II supported) Connectivity USB - USB 3.2 Gen 1 (5 GBit/sec) USB charging - Yes HDMI - Yes (micro HDMI) Microphone port - Yes Headphone port - Yes Wireless - Built-In Wireless notes - 802.11ac + Bluetooth Remote control - Yes Physical Environmentally sealed - Yes Battery - Battery Pack Battery description - NP-W235 lithium-ion battery & charger Battery Life (CIPA) - 440 Weight (inc. batteries) - 900 g (1.98 lb / 31.75 oz) Dimensions - 150 x 104 x 87 mm (5.91 x 4.09 x 3.43″) Other features Orientation sensor - Yes Timelapse recording - Yes GPS - None